A sympathetic restoration has transformed this 17th-century Grade II listed converted barn into a rural masterpiece

Bachelor pad meets weekend family home? It might not be the most conventional-sounding barn conversion, but then its owner Simon Lue-Fong would never wish to be described as conventional. He was looking for a country escapes for himself and his two young daughters who spend most weekends with him. So when best friend Vic spotted this Beaconsfield barn for sale, Simon’s dreams of moving out of London quickly became a reality. ‘Almost as soon as I walked in I knew this was where I wanted to live. I put an offer in that same day,’ Simon recalls.

Although the barn conversion was in excellent structural condition it had not been changed since its conversion in the 1980s. ‘But I could see how updating the house design by fusing a modern twist with the vintage structure could create the dream home I was looking for,’ he says. Simon turned to interior designer Pia Pelkonen of Pia Design (opens in new tab) to come up with a plan, explaining that he wanted the interiors to be inspired by Annabel’s nightclub. ‘It was to push her not to make the house too conservative in its styling,’ he explains. The barn also had to be a fun place for Simon’s daughters, and he wanted them to have an input in their rooms.

Sustainability is important to Pia so instead of focusing on what to remove from the barn, she looked at what she could adapt. ‘My initial impression was of lots of orange wood and worn carpets,’ says Pia. ‘But they were good-sized rooms and there was no need to knock down walls or extend the existing building.’ That proved to be a blessing as the barn is Grade II listed, with parts of the building dating back to the 17th century, so avoiding structural changes was the easiest option.

‘Of all the additions, the one that jarred the most was the balustrade around the upper floor, a mezzanine level that had been added to house the bedrooms and bathrooms,’ says Pia. ‘The orange wood clashed with the barn’s original beams, and we decided to replace the balustrade with simple glass panels that allowed the ancient woodwork of the beams to take the spotlight once again.’

Pia knew that a subtle approach would be best, particularly when designing the girls’ rooms to grow with them. ‘We used paint and panels of wallpaper on cupboard doors to create a fresh look,’ Pia explains. ‘These add so much character but can easily be changed in the future.’ She opted for simple solutions elsewhere in the house too. An extra-long and narrow table suits the dining room’s challenging proportions and cabinets from Howdens were good choices for the kitchen where Simon didn’t want to invest too much.

Although Pia kept the original layout and room sizes the same, the result is a dramatic transformation and the barn is hardly recognizable from that first meeting. Moody interiors and Simon’s favorite grey color are the backbones of the new schemes. ‘The dark grey really adds to the bachelor vibe and brings the beams to life,’ says Pia.

Simon’s brief to Pia was that ‘when anyone walks through the door, it must be obvious I had nothing to do with the design!’ Pia has a different take on this. Simon feels he handed all the design decisions over to Pia, while she says she interpreted the exact look he wanted for the barn. Two different sides of the same story – surely the sign of a successful designer-client collaboration.